Chun Hua Catherine Dong
Chun Hua Catherine Dong is a Chinese-born multimedia artist based in Tiohtià:ke/Montréal. Dong received an MFA from Concordia University, and a BFA from Emily Carr University of Art + Design. Dong began their artistic career as a performance artist, but they have recently expanded their practice to incorporate media art.
Dong’s work has been exhibited in Canada and abroad, at venues including the International Digital Art Biennial (BIAN) in Montreal, Némo — International Biennial of Digital Arts in France, The Rooms in Newfoundland, and the He Xiangning Art Museum in Shenzhen, China. Dong was a finalist for a Contemporary Art Award from the Musée national des beaux-arts du Québec in 2020, and received a Cultural Diversity in Visual Arts award from the Conseil des arts de Montréal in 2021.
Miles Greenberg
Montreal-born Miles Greenberg is a performance artist and sculptor based in New York City. His work consists of large-scale, sensorially immersive, and site-specific environments, revolving around physical bodies in space. These installations are activated through durational performances that invoke the body as sculptural material.
Greenberg has exhibited and performed at museums and galleries around the world, including the Southbank Centre in London, the Louvre in Paris, the Neue Nationalgalerie in Berlin, and the New Museum in New York City. His work has also been featured in numerous international art surveys, including the Athens Biennale, the Yokohama Triennale, and the Bangkok Art Biennale.
Frances Adair Mckenzie
Frances Adair Mckenzie is a sculptor and animator based in Tiohtià:ke/Montreal, with a BFA from Concordia University. Through a rigorous studio practice and constant exploration of new technology and tools, she has expanded her research into sculpture, and digital materiality and its conceptual realms. How technology perceives and influences the way we see remains central to her thinking and practice.
Experiments with stop-motion, 3D animation, virtual reality and stereoscopy have also had an impact on Mckenzie’s sculptural work. Her digital foraging leads to questions regarding the stability of identity, production, and consumption of desire, as well as the surface tension between digital interfaces and architectural space.
Eve Tagny
Eve Tagny is a Tiohtià:ke/Montreal-based artist. Her practice considers gardens and landscapes as mutable sites of personal and collective memory, inscribed in dynamics of power, colonial histories and their legacies. Weaving lens-based mediums, installation, text and performance, she explores spiritual and embodied expressions of grief and resiliency, in correlation with nature’s rhythms, cycles and materiality.
Tagny has a BFA in Film Production from Concordia University, and a Certificate in Journalism from the Université de Montréal. In recent years, her work has been exhibited at venues including the Henry Ward Art Gallery in Seattle, the Musée national des beaux-arts du Québec in Quebec City, the Musée d’art contemporain in Montreal, and COOPER COLE in Toronto. In addition, she has performed at the Swiss Institute in New York City, and at Nuit Blanche in Toronto.
Nico Williams ᐅᑌᒥᐣ
Nico Williams ᐅᑌᒥᐣ lives and works in Tiohtià:ke/Montreal, and is a member of Aamjiwnaang First Nation (Anishinaabe). He has a multidisciplinary and often collaborative practice that is centred around sculptural beadwork.
He has recently exhibited at the Musée d’art contemporain and at the PHI Foundation, both in Montreal, and was featured in the group exhibition Young Elder at James Fuentes Gallery in New York City, and Indian Theater: Native Performance, Art, and Self-Determination since 1969, at the Hessel Museum of Art in Annandale-on-Hudson, New York. In 2021, he was awarded the prestigious Claudine and Stephen Bronfman Fellowship in Contemporary Art.