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Thierry Delva's stone duplicates of ordinary things focus on external presence and challenge the viewer's trust. In his recent work, he turns his gaze inward, using his body and medical imaging techniques.
In the 1880s British photographer Peter Henry Emerson captured a series of atmospheric images of the landscape and the working people of Norfolk in eastern England.
In "remembering you (mute pictures)" Jayce Salloum combines photography, painting, audio and text in a format that enables the work to remain fluid and exist in different incarnations.
Associated with many avant-garde movements throughout his career, the artist and poet Francis Picabia never adhered to one movement. His sarcastic and playful view on life is a common theme.
Published in a new format, Judith Rodger's book on the London artist Greg Curnoe emphasizes his innate understanding of colour and colour theory.
The Brian Jungen retrospective on view at the Art Gallery of Ontario features sculptures, paintings, film, drawings and installation work that span the career of this internationally acclaimed artist.
Technical research conducted on Paul Gauguin’s portrait bust of his artist friend Meijer de Haan has revealed significant new information about the artist's use of materials, paint and methods of working.
Since the 1960s, artist-run centres have enabled artists to work in an autonomous yet collective way. The newly established Lacey Prize aims to recognize these creative art spaces.
Opening in Munich, the "Canada and Impressionism" exhibition gives a new perspective on Canadian artists embracing this international art phenomenon and creating their own individual responses.