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The Gallery's Vilhelm Hammershøi painting, along with the art resources and expertise available at the institution, inspired photographer Leslie Hossack's latest project.
Nicknamed “the French Rembrandt,” Jean-Jacques de Boissieu is an intriguing figure in 18th-century French art, whose work was widely collected and inspired 19th-century printmakers across Europe.
Dating to the early 16th century, Quinten Massys’ painting of the Crucifixion is being given a new frame that is contemporary to the period when the Flemish master created it.
Vancouver-based conceptual artist Ron Terada responds to NGC Magazine's version of the Proust Questionnaire.
Two artists express their individual perspective of their particular region, each presenting his unique vision of his Canadian landscape.
In her drawings, Evelyn de Morgan created evocative studies of the female figure, capturing light and form through delicate lines and meticulously worked chalk pastel.
One of London's most important portrait miniaturists, John Smart painted his daughter shortly after their arrival in India in 1785, a portrait that illustrates his accomplished technique and his elegant style.
In his work Kevin McKenzie has been juxtaposing Indigenous culture with symbols drawn from popular culture and colonial inheritance. He discusses his processes, material choices and recent changes to his art.
Depicting scenes of distance and serenity, painter Christiane Pflug raised the act of looking through kitchen doors and windows to the outside world to an art form.