Magazine

Published in a new format, Judith Rodger's book on the London artist Greg Curnoe emphasizes his innate understanding of colour and colour theory.
The Brian Jungen retrospective on view at the Art Gallery of Ontario features sculptures, paintings, film, drawings and installation work that span the career of this internationally acclaimed artist.
Technical research conducted on Paul Gauguin’s portrait bust of his artist friend Meijer de Haan has revealed significant new information about the artist's use of materials, paint and methods of working.
Since the 1960s, artist-run centres have enabled artists to work in an autonomous yet collective way. The newly established Lacey Prize aims to recognize these creative art spaces.
Opening in Munich, the "Canada and Impressionism" exhibition gives a new perspective on Canadian artists embracing this international art phenomenon and creating their own individual responses.
J.E.H. MacDonald's seven trips to the Rocky Mountains proved a major source of inspiration. His 1928 painting exemplifies his fascination with the landscape of Yoho National Park.
In her paintings, Prudence Heward depicted women, whom she portrayed as self-contained, even defiant, and whose gazes often directly met that of the viewer.
Created as a tribute to Canada’s centennial, Joyce Wieland's "Confedspread" of 1967 was her first use of quilting to convey the patchwork complexity of Canada.
Over six decades, photographer Dave Heath made several radical changes in artistic direction, but wherever he ventured, there was always a lens of some sort, a poetic and aesthetic brilliance.