Magazine

Canada's representative at the 2019 Venice Biennale, Isuma illuminates the historic trauma of forced relocation of families from an Inuit point of view to reclaim history and imagine a different future.
The 1975 mid-career retrospective of American artist Donald Judd at the National Gallery of Canada broke new ground by involving both the artist and curator in all aspects of the exhibition.
The comparative study of a still life by William Nicholson with a painting in the BBC's "Fake or Fortune" series enabled new insights into both works and their genesis.
The German philosopher Friedrich Nietzsche was placed at the centre of the modernist movement that created New Weimar.
A great painting is a multi-layered thing. Sometimes seeing what lies beneath the surface can allow insight into the artist's meaning and method.
Internationally acclaimed artist Max Dean shares his answers to the NGC Magazine's adapted version of the Proust Questionnaire.
Kristina Huneault’s ambitious art-historical study, "I’m Not Myself at All: Women, Art, and Subjectivity in Canada", is a heady, scholarly tour-de-force.
Luther Konadu, Ethan Murphy and Zinnia Naqvi are the winners of the 2019 New Generation Photography Award.

The new Running Horses by Joe Fafard

For more than four decades, Joe Fafard crafted beloved sculptures of the people, places and animals that coloured his Canadian prairie life.