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Jessie Oonark, When the Days are Long and the Sun Shines into the Night, 1966-69. Felt pen and graphite on wove paper,

Jessie Oonark: The Day of the Sun

Jessie Oonark's monumental drawing is a vibrant panorama of Inuit life at the time of the summer solstice.
Rembrandt van Rijn The Tribute Money, 1629, oil on oak

Rembrandt van Rijn : The Tribute Money of 1629

Re-examination and restoration of the painting “The Tribute Money”, along with new developments in technical analysis, all point towards Rembrandt as the painter of this enigmatic work.
Paul p, Untitled 2018 and 2003, two drawings

Paul P.: Lyrical and Transient

Whether in the form of evanescent portraits or atmospheric landscapes, the work of Paul P. expresses the ephemeral while reflecting past, present and future.
Marcel Duchamp, Fountain, 1917, 5th version 1964. Painted glazed earthenware and oil paint

Marcel Duchamp : A Room of One’s Own

One of the most radical artists of his century, Marcel Duchamp created works, including readymades, that influenced generations of artists.
Hadley+Maxwell, 1+1-1 , 2007–09. Mixed-media installation

Sense of a Moment: Representation, Re-imagination and Style

A new display at the Gallery looks at creativity and musical experimentation against the back-drop of cultural movements and political identities.
Jessie Oonark, Untitled (Two Women and Man with Pails and Scoop), c. 1966-1969, Coloured felt pen and graphite on wove paper, printed turquoise

Views of the World

A selection of Inuit works presents scenes from well-known stories and everyday life, each work reflecting the expressiveness of Inuit culture.
Michael Belmore, Lost Bridal Veil, 2015. sculpture

Michael Belmore: Materials and Deep Time

In his work, Michael Belmore has often chosen to use copper for the natural purity of this material. In this interview he speaks of his technique and the ideas that he imparts on his sculptures.
Detail, Laura Muntz, A Daffodil, 1910. Oil on canvas

Laura Muntz: A Woman Artist Navigating the Art Scene at the Turn of the Century

An accomplished painter of her period, Laura Muntz succeeded in a male-dominated field and became a champion of new artistic themes within the confines of an age.
Moridja Kitenge Banza, From 1848 to the Present / Cross-section of a Slave Ship, 2006–18, ink and graphite on Mylar

Moridja Kitenge Banza: Identity, Memory and Place

Banza’s large-scale drawing "De 1848 à nos jours | coupe de bateau négrier" relates to an important moment in the Montreal-based artist’s career to date.

Writing after Conceptualism: Language in Canadian Painting

Three examples reflect the use of language and its manipulation in painting in Canada in the wake of the medium’s re-emergence in the 1980s.
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Ankosé – Everything is connected – Tout est relié

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