In 1918 the Canadian modernist artist James Wilson Morrice travelled to the front in war-torn France to document the aftermath of battle for the Canadian War Records Office.
Travelling in Europe between 1905 and 1913, A.Y. Jackson became fascinated by Impressionism and began to explore the movement's painterly effects and use of colour in his own work.
Covering deals brokered over 35 years, Taryn Simon's series Paperwork and the Will of Capital chronicles the topics and realms of influence covered by these historic political and economic agreements.
