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A.Y. Jackson in Europe: A Brush with Impressionism

Travelling in Europe between 1905 and 1913, A.Y. Jackson became fascinated by Impressionism and began to explore the movement's painterly effects and use of colour in his own work.

Taryn Simon's "Paperwork and the Will of Capital": perspectives on transience of power

Covering deals brokered over 35 years, Taryn Simon's series Paperwork and the Will of Capital chronicles the topics and realms of influence covered by these historic political and economic agreements.

In Pursuit of French Masters: the Family of Gordon C. Edwards

The acquisition history of a painting by Honoré Daumier is a tale of determination by the Gallery's directors and the great philanthropic commitment of a family across four generations.

"The Last of the Hurons" by Antoine Plamondon

The prolific and influential 19th-century artist Antoine Plamondon drew inspiration from a topical theme to create a deeply symbolic painting that, 180 years later, still fascinates.

Sumptuous and Seductive: Zachari Logan and the Art of Drawing

A consummate drawer, Zachari Logan creates dark, mysterious gardens full of meticulously rendered flora and fauna, captured and built up in dense layers of pastel.

More than Picturesque: Cornelius Krieghoff’s "Moccasin Seller"

Clutching a blanket around her frame, Cornelius Krieghoff’s Moccasin Seller of c.1853–63 treks through a frozen landscape to sell her moccasins to the tourists and inhabitants of Quebec’s burgeoning cities.

With and Without a Plan: Play and the Paintings of Elizabeth McIntosh

In her work, Elizabeth McIntosh likes to mix planning and improvisation to create paintings that, for her, are personal journeys of discovery.

Beauty, Strength and Grace: Horses in Art

There is a particular animal that runs through the National Gallery of Canada, with all the spirit and vigour that one would expect.

Metaphors and imagination: Sophie Ristelhueber's "WB" series

Sophie Ristelhueber is known for her depiction of landscape in the aftermath of conflict. Her work "WB" speaks effectively to the role of art in contemporary geopolitics.

Life in Norfolk: Photographs by Peter Henry Emerson

In the 1880s British photographer Peter Henry Emerson captured a series of atmospheric images of the landscape and the working people of Norfolk in eastern England.
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National Gallery of Canada

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380 Sussex Drive
Ottawa, ON, Canada
K1N 9N4
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