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Marlene Creates, 17 March 2016, from the series What Came to Light at Blast Hole Pond River, Newfoundland, 2016. Inkjet print

Marlene Creates: The Cosmic Connectedness of Nature

In many of her photographic series, environmental artist Marlene Creates conveys the fundamental truth that everything everywhere is linked together.
Susan A. Point Salish Vision, 2001 serigraph on wove paper

The Salish Weave Collection: a Selection of Works

The acquired group of works demonstrates the convergence of the customary and the contemporary, and the dynamic revival of Coast Salish design by the region’s leading artists.
Prudence Heward, The Farmer's Daughter, detail, 1945, oil on canvas

Prudence Heward: Strength of Spirit

On Slow Art Day, spend time with Prudence Heward's "The Farmer's Daughter," looking in detail at her painting technique and painterly choices.
Mona Hatoum, Balançoires, 2010, sandblasted glass seats and stainless-steel chains

Mona Hatoum: Uncanny Space

Part of the Gallery's collection, Mona Hatoum's "Impenetrable" and new acquisitions "Balançoires" and "Projection (velvet)" are explored in the context of the artist's work.
Lawren S. Harris, Winter Morning, 1914, oil on canvas

The Sense of Snow in the work of two Canadian Artists

Two paintings capture the distinctive light and atmospheric effects of a winter landscape covered in snow.
Mike MacDonald, Seven Sisters, 1989, 7 digital videos, 55 min

Video Art and Butterfly Gardens: the Mike MacDonald Fonds

Today Mike MacDonald is known for being one of the first Indigenous artists to experiment with video art and for his more than twenty Butterfly gardens that he planted across Canada.
Fritz Brandtner Riders, c. 1945 Colour serigraph on wove paper

The Library of Fritz Brandtner: Art, Education and Social Reform

Fritz Brandtner's surviving library not only highlights his own art, but also provides insight into the life and thoughts of this important Canadian artist.
Fred Sandback, Untitled (One of Four Diagonals), 1970, black elastic cord,

As the Crow Flies: Fred Sandback

In Sandback’s minimalist sculpture "Untitled (One of Four Diagonals)", what occurs in or around the line is what gives the work its meaning.
Jan van de Velde II, January of The Twelve Months of the Year, 1616

Calendars for the ages

Three sets of prints depicting the twelve months of the year illustrate the popularity of such images that used visual signals to identify each month.
Frederick Alexcee, Fort Simpson (detail), c.1900, oil, graphite, ink, and watercolour on cotton

Fort Simpson: the historical work of Frederick Alexcee

In his paintings of Fort Simpson, Tsimshian artist Frederick Alexcee presents the viewer with another perspective of the settlement and its development.