The fancy ball events in late 19th-century Canada represented the great social gatherings of the country's rich and famous and attendees had the opportunity to commemorate their presence through portraits.
The photographs by Brodie Whitelaw, Bruce Metcalfe and Max Sauer reflect the search for a "modern" style through the interplay of tonal and pictorial masses, texture, detail and patterning.
The comparative study of a still life by William Nicholson with a painting in the BBC's "Fake or Fortune" series enabled new insights into both works and their genesis.
Part of the Gallery's educational programs for visitors with special needs, SPARK! enables individuals living with dementia and their caregivers to experience art and find moments of pleasure.
After ten years as the Director of the National Gallery of Canada, Marc Mayer is leaving the country's premier art institution and discusses some of his most memorable achievements.
Gustav Klimt’s Portrait of Elisabeth Lederer is an imposing, dazzling painting that speaks of the power, elegance and confidence of Vienna’s high society in the early 20th century.
