By unravelling the causes and effects of changes that have transformed the appearance of a work of art over time, one can re-discover the original integrity of the work.
The Gallery's Vilhelm Hammershøi painting, along with the art resources and expertise available at the institution, inspired photographer Leslie Hossack's latest project.
Dating to the early 16th century, Quinten Massys’ painting of the Crucifixion is being given a new frame that is contemporary to the period when the Flemish master created it.
Innovation and experimentation have been integral components of artist Michael Snow's diverse, multidisciplinary work right from the very beginning of his career.
Transforming its public spaces by letting the public access art as soon as they enter, the National Gallery of Canada is exploring new ways to let visitors interact with art.
Returning to his native Leiden at the age of 19, Rembrandt van Rijn began to develop the dramatic and emotionally charged style that would earn him the reputation as the foremost master of the Dutch Golden Age.
Since the 1960s, artist-run centres have enabled artists to work in an autonomous yet collective way. The newly established Lacey Prize aims to recognize these creative art spaces.
The fancy ball events in late 19th-century Canada represented the great social gatherings of the country's rich and famous and attendees had the opportunity to commemorate their presence through portraits.
The photographs by Brodie Whitelaw, Bruce Metcalfe and Max Sauer reflect the search for a "modern" style through the interplay of tonal and pictorial masses, texture, detail and patterning.
