Transforming its public spaces by letting the public access art as soon as they enter, the National Gallery of Canada is exploring new ways to let visitors interact with art.
Returning to his native Leiden at the age of 19, Rembrandt van Rijn began to develop the dramatic and emotionally charged style that would earn him the reputation as the foremost master of the Dutch Golden Age.
Since the 1960s, artist-run centres have enabled artists to work in an autonomous yet collective way. The newly established Lacey Prize aims to recognize these creative art spaces.
The fancy ball events in late 19th-century Canada represented the great social gatherings of the country's rich and famous and attendees had the opportunity to commemorate their presence through portraits.
The photographs by Brodie Whitelaw, Bruce Metcalfe and Max Sauer reflect the search for a "modern" style through the interplay of tonal and pictorial masses, texture, detail and patterning.
The comparative study of a still life by William Nicholson with a painting in the BBC's "Fake or Fortune" series enabled new insights into both works and their genesis.
Part of the Gallery's educational programs for visitors with special needs, SPARK! enables individuals living with dementia and their caregivers to experience art and find moments of pleasure.
After ten years as the Director of the National Gallery of Canada, Marc Mayer is leaving the country's premier art institution and discusses some of his most memorable achievements.
