Rashid Johnson's "Capsule" and Kwende Kefentse's activations enrich the audience's access to this work of art and enable them to find new pathways to its understanding.
Frequently working at the intersection of visual art and dance, Brendan Fernandes examines issues of migration, identity and decolonization, as well as social and political spaces.
At the Venice Biennale, Stan Douglas presents "Stan Douglas: 2011 ≠ 1848", comprising a set of photographic works and a major new video installation, across two venues in the city.
The NGC's Conservation Internship for Diversity aims to support and increase the representation of conservation professionals from diverse communities.
Diana Nemiroff's new book celebrates the achievements of Jean Sutherland Boggs, Hsio-yen Shih and Shirley Thomson, three women directors who have shaped the Gallery.
Charles Stankievech's digital work "No6902" is centred on the mysteries surrounding the Gallery's painting "Augustus and Cleopatra" and the art historian who was instrumental in its acquisition.
