The doors to the National Gallery’s newly transformed Canadian and Indigenous Galleries are about to open upon a magnificent display of art. With almost 800 works dating from 5,000 years ago to 1967, Canadian...
Sometimes the most compelling thing about a work of art is the artist behind it. Are they messy or neat when they work? Spacious studio or dining room table? Do they draw inspiration from rural surroundings,...
This spring, three Canadian women artists got together at the National Gallery of Canada for an informal public conversation in support of the Canadian Photography Institute exhibition Photography in Canada:...
Despite his almost sole focus on the American experience, a major retrospective of photographer Walker Evans’ work at the Centre Pompidou in Paris represents, in a strange way, a kind of homecoming for the...
In this interview, Greg Hill, Audain Senior Curator of Indigenous Art, talks about the importance of Carl Beam's Voyage and how it fits within the narrative in Canadian and Indigenous Art: 1968 to Present.
In this video, Faye HeavyShield discusses how she created her work Body of Land, on view at the National Gallery of Canada as part of Canadian and Indigenous Art: 1968 to Present.
Through the spring and summer, the National Gallery of Canada is taking a closer look at the work of two established Canadian artists, who are also father and son, in Related Works: Ron Moppett and Damian...
Just in time for all things spring, the National Gallery of Canada’s contemporary Canadian galleries have been refreshed and reconfigured, and are now open once again. Canadian and Indigenous Art: 1968 to...
In the exhibition PhotoLab 2: Women Speaking Art , now on view at the Canadian Photography Institute of the National Gallery of Canada, the work of nine women artists from the 1970s through the 1990s explores...
