Cran’s recent work and his unique artistic progression are explored in a new exhibition, organized by the National Gallery of Canada and the Art Gallery of Alberta as part of the [email protected] exhibition series.
Louis Daguerre’s brilliant invention is the focus of Mirrors with Memory: Daguerreotypes from Library and Archives Canada , now on view at the National Gallery.
Ann Thomas, the NGC's Curator of Photographs, discusses the passions and processes of photographer Frederick H. Evans. Luminous and True: The Photographs of Frederick H. Evans is on view at the Gallery until...
For the Record: Early Canadian Travel Photography showcases some 50 works from the collection of Library and Archives Canada (LAC), including framed black-and-white photographs, stereographs seen through a...
Frederick H. Evans’ 1905 photograph of the steps leading to Queen Elizabeth’s Well in Winchelsea, England, is quintessential Evans. The stones, softly illuminated in the foreground and framed by trees and...
Visitors to the Winnipeg Art Gallery can now view two of Ron Mueck’s iconic works — A Girl (2006), and Untitled [Old Woman in Bed] (2000) — for the first time, thanks to an ongoing partnership between the...
The last exhibition Jack Bush saw of his work was a touring retrospective at the Edmonton Art Gallery in 1977. A few days after his return to Toronto following the opening, Bush passed away. Now, almost 40...
Chagall was a supremely expressive colourist, and Daphnis & Chloé is widely considered the crowning achievement of his career as a printmaker. This spectacular series of lithographs is now on view at the...
Jonathan Shaughnessy, the NGC’s Associate Curator of Contemporary Art, and Mireille Eagan, Curator of Contemporary Art at The Rooms, St. John's, NL, discuss the Masterpiece in Focus exhibition Mary Pratt: This...
With the Scotiabank CONTACT Photography Festival once again taking over the streets and galleries of Toronto, the National Gallery of Canada and the Museum of Canadian Contemporary Art (MOCCA) are staging...
