TABLE OF CONTENTS
Collection Summary
Biographical Sketch
Scope and Contents of the Collection
Organization of the Collection
Index Terms
Administrative Information
Contact Information
Series Level Descriptions
1 - African
Art: 1962-1991.
2 - Contemporary
Art: 1972-1991.
3 - Amerindian
and Inuit History, Culture, and Traditional Art: 1950-1991.
4 - Other
Professional Papers: 1950-1991.
Box Lists
SERIES
1 - African Art
SERIES
2 - Contemporary Art
SERIES
3 - Amerindian & Inuit History, Culture and Traditional Art
SERIES
4 - Other Professional Papers |
Jacqueline Fry fonds:
Finding Aid
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Collection Summary
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Title: |
Jacqueline Fry fonds. |
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Dates: |
- 1950-1991. |
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Quantity: |
- 2.8 m of textual records and other material. |
Biographical Sketch
Jacqueline Delange Fry (1923-1991), Canadian
art historian, anthropologist and curator, worked as a Laboratory Assistant,
Département d'Afrique Noire, Musée de l'Homme, Paris (1950-1960)
and as Directeur du Département, Musée de l'Homme, Paris
(1960-1970). In 1970, Fry immigrated to Canada where she was employed
as Curator of Non-Western Art, Winnipeg Art Gallery (1971-1973), Lecturer,
Department of Anthropology, Université de Montréal (1973-1976;
1980) and Lecturer, Department of Visual Arts, University of Ottawa (1976-1991).
An authority on African art, Fry became interested in the relationship
between Inuit, First Nations and African art after moving to Canada.
She was one of the first art historians to study contemporary First Nations
art in Canada. She also became interested in contemporary non-First
Nations art in this country. Fry published two books on African art
(Arts et peuples de l'Afrique noire, 1967; Afrique noire, la
création plastique, 1976) as well as numerous articles on African,
First Nations, Inuit and contemporary Canadian art. She organized
art exhibitions in all of these areas, including the exhibition of African
sculpture for the National Gallery of Canada entitled Twenty-five African
sculptures (1978).
Return to the Table of Contents
Scope and Contents of the Collection
The fonds consists of research files, photographs,
and slides relating to African art, First Nations art, Inuit art, and contemporary
art (First Nations and non-First-Nations). There are also sound recordings
of African music and computer diskettes. The fonds includes material related
to exhibitions organized by Fry and to Fry's career as a university lecturer.
Professional and personal papers and miscellaneous personal items are also
part of the fonds.
Source of supplied title proper: Title based on contents of fonds.
Immediate source of acquisition: Donated to the National Gallery of
Canada Library and Archives by Philip Fry, 1991.
Physical description: Includes: 1316 photographic prints, 228 negatives,
1634 slides, 4 sound recordings and 2 computer diskettes.
Finding aids: Series level descriptions and box list available.
Associated material: For information on the exhibition Twenty-five
African sculptures, see National Gallery of Canada Archives, EX 1624.
Note: See Visual Resources database records for the fonds for more information
on the photographs.
Return to the Table of Contents
Return to the Table of Contents
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Index Terms
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Names: |
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Fry, Jacqueline, 1923-1991 |
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Subjects: |
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Art -- Africa |
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Art -- History -- 20th century |
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Indian art |
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Indian sculpture |
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Inuit art |
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Inuit sculpture |
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Sculpture -- Africa |
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Document Types: |
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Computer diskettes. |
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Negatives. |
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Photographs. |
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Research files. |
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Slides. |
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Sound recordings. |
Return to the Table of Contents
Administrative Information
Preferred Citation
[Title of item], Jacqueline Fry fonds,
Library and Archives, National Gallery of Canada.
Return to the Table of Contents
Contact Information
Reference Services
Library and Archives
National Gallery of Canada
380 Sussex Drive
Ottawa, Ontario
K1N 9N4
T 613-714-6000 ext. 6323
[email protected]
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Series Level Descriptions
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African Art. - 1962-1991. - 1.12 m of textual records and 1,142 photographs.
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The series consists of 80 files containing
mainly unidentified photographs of Sub-Saharan African sculpture, most
of which are unidentified, and research materials relating to African art.
Files include articles and reprints of articles (some signed) on African
art, history, social life and customs. The files also contain correspondence
with scholars, publishers and with others interested in African art, including:
Robert F. Thompson,Yale University; Nicole Lemay (1943- ), La Société
des Musées Québeçois; art collectors and friends Elisabeth
and Justin Lang; Dorothy Farr (1946- ), Agnes Etherington Art Centre; Père
Knops; William Buller Fagg (1914- ), British Museum; Jean Gabus, Musée
d'Éthnographie, Neuchâtel, Switzerland; Keith Nicklin, National
Museum, Nigeria; Marie-Claude Dupré; graduate students Christopher
D. Roy, Danielle Duquette and Francine N'diaye; Albert Maesen, Musée
Royal de L'Afrique Centrale; B. (Bohumil) Holas (1909-1979), Centre des
Sciences Humaines; Fry's doctoral supervisor Jean Laude (1922- ), Université
de Paris; Adriaan G. Claerhout (1926- ), Stad Antwerpen; Elsy Leuzinger,
Museum Rietberg Zurich; and Éditions Gallimard. In addition,
the files also contain notes and articles by Fry, reviews and correspondence
relating to her publications and programmes, and materials related to symposia
on African art. Much of the material dates from Fry's time at the
Musée de l'Homme in Paris (1950-1970), though there is also material
dating from her doctoral programme at the Sorbonne. The files also
contain material relating to exhibitions with which Fry was involved, including
the Paris-Dakar exhibition of African Art (First World Festival of Negro
Arts, 1966). |
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Source of supplied title proper: Title supplied
by cataloguer. |
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Physical description: Includes: 1,021 photographic
prints, 114 negatives, 7 contact sheets. |
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Note: See Visual Resources database records
for the fonds for further information on the photographs. |
See Box List for this Series
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Contemporary Art. - 1972-1991. - 83 cm of textual records and 238 photographs.
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The series consists of 88 files of material
on contemporary Canadian artists, with an emphasis on contemporary First
Nations artists. The files also contain information related to contemporary
African artists and to the influence of traditional African art on contemporary
Western art. In addition, the following types of documents are included:
exhibition notices, posters, invitations, postcards, price lists, photographs
and slides of exhibition installations and artists' works, clippings on
artists, press releases, conference programmes, curriculum vitae and biographical
sketches on artists, periodicals and photocopies of articles, and exhibition
catalogues. The series includes files on various contemporary artists,
as well as 39 photographs of works by Canadian artist Irene Whittome (1942-
). There is also correspondence from the following artists, curators, scholars,
and organizations: Marlene Creates (1952- ), Hervé Fisher,
Fred Forest (1933- ), Louise Bourgeois (1911- ), Carl Beam (1943- ), Viviane
Gray, Robert Houle (1948- ), Katherine Knight (1955- ), the Canada Council,
Lance Bélanger (1956-), Sheila J. Klotz, the McMichael Canadian
Art Collection, Jean Blodgett (1945- ), the Winnipeg Art Gallery, Barbara
Lounder (1955- ), Marybelle Myers, La Fédération des Coopératives
du Nouveau Québec, and K.J. Butler (1937- ). The series includes
Fry's notes on a number of contemporary artists, research proposals by
Fry and others as well as course outlines for classes Fry gave at the University
of Ottawa. |
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Source of supplied title proper: Title supplied
by cataloguer. |
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Physical description: Includes: 144 photographic
prints, 24 negatives, 70 slides. |
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Note: See Visual Resources database records
for the fonds for futher information on the photographs. |
See Box List for this Series
Return to the Table of Contents
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Amerindian and Inuit History, Culture, and Traditional Art. 1950-1991.
22 cm of textual records and 24 photographs.
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The series consists of 24 files that contain
information and documentation concerning the history, culture, and traditional
art of the aboriginal peoples of North and South America, with an emphasis
on Canada's First Nations. Included are the following types of documents:
bibliographies, maps showing the geographical local of Canada's First Nations,
position papers by the Native Council of Canada and the Assembly of First
Nations, an information package from the Institute of Alaska Native Arts
Inc., periodicals and articles, postcards, pamphlets, newspaper clippings,
business cards, conference programmes, travel brochures, booklets, a statement
of expenditures, minute books and resolution books from the National Indian
Arts Council (1976-1977), an information package on an exhibition (Images
Stone B.C., 1975) organized by the Art Gallery of Greater Victoria,
photographs of traditional native art works, exhibition catalogues, research
papers, exhibition invitations, and press releases. The files also contain
correspondence with the following scholars, artists, and institutions:
Martine de Widerspach-Thor, Department of Anthropology, University of British
Columbia; Canadian artist Alex Janvier (1935- ); the Winnipeg Art Gallery;
and Wayne P. Suttles (1918- ). Course notes and course outlines by Fry
are included in the series. |
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Source of supplied title proper: Title supplied
by cataloguer. |
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Note: See Visual Resources Database records
for the fonds for further information on the photographs. |
See Box List for this Series
Return to the Table of Contents
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Other Professional Papers. - 1950-1991. - 63 cm of textual records and
other material.
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The series consists of 52 files containing,
for the most part, Fry's other professional papers that are not directly
related to her curatorial interests or her interest in the history, culture,
and art of the First Nations and the Inuit. Material relating to
her teaching activities can be found among these files, as well as among
the files in each of the other three series. In some instances, files
in this series contain personal correspondence and greeting cards as well
as photographs of Fry's family and friends. Included are the following
types of materials: newspaper clippings, tear sheets, reprints (some signed),
exhibition invitations, periodicals, photocopies of periodical articles,
exhibition catalogues, notes, memoranda, a proposal prepared by the Garden
Hill Indian Co-op, a map, business cards, a copy of a project submitted
by Céline de Guide to the Commission France-Canada, booklets, research
papers, greeting cards, brochures, notebooks, press releases, bibliographies,
posters, questionnaires, programmes, loan forms and copies of loan forms
for art works, copies of students' assignments, sound recordings of African
music, computer diskettes, photographs and slides of works of contemporary
art, aboriginal arts, and African art. The series includes correspondence
with the following artists, curators, scholars, and friends: Jacqueline
Salmon; Francine N'diaye; Chris Zwarich; anthropology graduate student
Colleen Kriger (1949- ); religious studies graduate student Maureen Korp;
Réjane Thibault; Pierre Gaudibert, Musée de Grenoble; Suzanne
Rivard LeMoyne (1928- ), Head of the Department of Theatre and Visual Arts,
University of Ottawa; Ted Poulos, Canadian Museums Association; Brenda
Wallace, Canada Council for the Arts; Diane Vincent (1952- ), Laval University;
Marjorie M. Halpin (1937- ), University of British Columbia Museum of Anthropology;
Robert Houle (1947- ); Carol Podedworny (1959- ); and Marlene Creates.
The series also includes Philip Fry's correspondence with the following
individuals and institutions: the University of Ottawa, Elisabeth and Justin
Lang, D. P. Ross, Ian McLachlan (1938- ), and Dr. Murray B. Frum (1931-
). In addition, the series includes 1,564 slides of African, traditional
Native North American, and contemporary art (including contemporary First
Nations art). Miscellaneous items belonging to Fry include the following:
her University of Ottawa staff pin and identification card, her text for
"Les �displays' impertinents" presented at the Association canadienne francaise
pour l'avancement des Sciences, her curriculum vitae and a photograph of
Fry with Canadian artist Irene Whittome. |
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Source of supplied title proper: Title supplied
by cataloguer. |
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Physical description: Includes: 127 photographic
prints, 90 negatives, 1,564 slides, 4 sound recordings, 2 computer diskettes. |
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Note: See Visual Resources Database records
for the fonds for further information on the photographs. |
See Box List for this Series
Return to the Table of Contents
Detailed Description of the Collection
Box Lists
Titles which appear in square brackets
were assigned by the cataloguer, all other titles were given to the files
by Jacqueline Fry.
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Series 1 - African Art
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| Box |
Folder |
| Box 1 |
File 1 |
[African Art] [n.d] |
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File 2 |
[African Art] [n.d] |
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File 3 |
[African Art] [n.d] |
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File 4 |
[African Art] [n.d] |
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File 5 |
[African Art] [n.d] |
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File 6 |
[African Art] [n.d] |
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File 7 |
[African Art] [n.d] |
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File 8 |
[African Art] [1960-1991] |
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File 9 |
[African Art] [1963-1972] |
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File 10 |
[African Art] [1966-1986] |
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File 11 |
[African Art] [1968-1989] |
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File 12 |
[African Art] [1969-1973] |
| Box |
Folder |
| Box 2 |
File 1 |
[African Art] [ca. 1970] |
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File 2 |
[African Art] [1975-1989] |
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File 3 |
[African Art] [1985-1990] |
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File 4 |
[African Art] [1987] |
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File 5 |
[African Art- Lang Collection] [1984-1991] |
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File 6 |
[African Art and Ceremonies] [1978] |
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File 7 |
[African Art and Decorative Art] [n.d.] |
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File 8 |
[African Art and Fortification] [1967] |
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File 9 |
[African Religion] [n.d.] |
| Box |
Folder |
| Box 3 |
File 1 |
African Women in African Art [1976] |
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File 2 |
Afrique de l'Est [1939-1969] |
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File 3 |
Angola [n.d.] |
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File 4 |
L'Art Africain vus par les jeunes - Presse
[1970-1971] |
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File 5 |
[Art from Congo] [1955-1956] |
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File 6 |
[Articles and papers by Marie-Claude Dupré]
[1977-1981] |
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File 7 |
Arts d'Afrique Noire - Arts non-occidentaux
[ca. 1985-1988] |
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File 8 |
[Ashanti Metal Spoons] [n.d.] |
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File 9 |
[Assortment of Loose Items from Box # 44] [1961-1984] |
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File 10 |
Bakota - Magnhive? [1960-1973] |
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File 11 |
Bambara - Photo, négatif [n.d.] |
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File 12 |
Bankas [1966] |
| Box |
Folder |
| Box 4 |
File 1 |
Barbier-Müller [1979-1986] |
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File 2 |
Cameroun [1962-1974] |
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File 3 |
[Chamanisme] [n.d.] |
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File 4 |
Chercher renseignement [n.d.] |
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File 5 |
Congo - Angola [1902-1971] |
| Box |
Folder |
| Box 5 |
File 1 |
[Correspondence from Christopher D. Roy] [1975-1976] |
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File 2 |
[Correspondence from Danielle Duquette] [1976] |
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File 3 |
[Correspondence from Marie-Claire Dupré]
[1977-1978] |
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File 4 |
[Correspondence from Wally J. Kozar] [1989] |
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File 5 |
Côte d'Ivoire, Libéria, Sierra
Léone [n.d.] |
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File 6 |
Dahomey Ghana [1965-1977] |
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File 7 |
Design [1982] |
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File 8 |
Documents a rendre à Philip Fry - Objets
et monde [n.d.] |
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File 9 |
Documents M.H. [African Art] [n.d.] |
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File 10 |
Dogon [1964] |
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File 11 |
Économie [n.d.] |
| Box |
Folder |
| Box 6 |
File 1 |
Éthnoesthétique [1966-1978] |
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File 2 |
Forgeron [n.d.] |
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File 3 |
Guinée Haute Volta [n.d.] |
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File 4 |
Lebeuf? [Photographs of African Art Objects]
[n.d.] |
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File 5 |
Liste d'Adresses, Renseignements sur Chercheurs
[n.d.] |
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File 6 |
Mali - Niger [ca. 1966] |
| Box |
Folder |
| Box 7 |
File 1 |
Marionnettes [n.d.] |
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File 2 |
Mr. Courtois [African Art - Photographs] [n.d.] |
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File 3 |
Mr. Courtois [African Art - Photographs] [n.d.] |
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File 4 |
Mumuye [1977] |
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File 5 |
Musée Cantini - L'Art Africain vu par
les enfants et Musée des enfants [1970-1971] |
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File 6 |
Nigeria [1958-1975] |
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File 7 |
Nigeria (Fagg) [1961] |
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File 8 |
"Notes sur la vie et la pensée de Frans
M. Olbrechts" by A. Maesen [1959] |
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File 9 |
["On Exhibiting African Art"] [n.d.] |
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File 10 |
P.N.A. Popular vs. Expression & Joyce Wieland
[n.d.] |
| Box |
Folder |
| Box 8 |
File 1 |
Photos [1962-1966] |
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File 2 |
Photos Dogon [n.d.] |
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File 3 |
[Policies Art 3215] [1977] |
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File 4 |
Portrait et Caricature [1965-1966] |
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File 5 |
Problèmes d'analyse de l'Art traditionnel
du Gabon [1970] |
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File 6 |
[Readings Art 3215] [1970] |
| Box |
Folder |
| Box 9 |
File 1 |
[Registration Art 3215] [1978] |
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File 2 |
[Reprint from Feuille d'avis de Vevey] [1969] |
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File 3 |
Serrures Dogon [n.d.] |
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File 4 |
[Serrures Dogon] [1967-1969] |
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File 5 |
Serrures Dogon [1970-1971] |
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File 6 |
[Symposium on traditional African art - Hampton
Institute] [1968] |
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File 7 |
Textes thématiques [1951-1979] |
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File 8 |
UNESCO = Fry [Correspondence] [1956-1978] |
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File 9 |
Yombe Photo, Négatifs [n.d.] |
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Series 2 - Contemporary Art
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| Box |
Folder |
| Box 10 |
File 1 |
Agnes Etherington - Floor Plan - Exhibitions
[1990] |
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File 2 |
Alex Janvier [1972-1983] |
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File 3 |
Amis du Musée des Beaux Arts [1991] |
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File 4 |
Art in Holman [1989] |
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File 5 |
Art et Anthropologie [1982-1988] |
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File 6 |
Barbara Lounder [1988-1989] |
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File 7 |
Bob Boyer [1982-1989] |
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File 8 |
Carl Beam [1985-1991] |
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File 9 |
Collections d'art Amérindien Ottawa
- Phoenix - Rapports [1983-1985] |
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File 10 |
[Conference - Development of Contemporary Arts
in Colonized Countries] [1984] |
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File 11 |
Conseil des Arts - Grant [1989] |
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File 12 |
Contemporary African Art [1965-1989] |
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File 13 |
[Contemporary African Art] [ca. 1969] |
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File 14 |
[Contemporary Amerindian Art] [1974-1989] |
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File 15 |
[Contemporary Amerindian Art] [1978-1991] |
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File 16 |
[Contemporary Amerindian Art] [1981-1983] |
| Box |
Folder |
| Box 11 |
File 1 |
[Contemporary Amerindian Art] [1981-1990] |
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File 2 |
[Contemporary Amerindian Art] [1983] |
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File 3 |
[Contemporary Amerindian Art] [1985-1989] |
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File 4 |
[Contemporary Amerindian Art] [1986?] |
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File 5 |
[Contemporary Amerindian Art] [1986-1988] |
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File 6 |
[Contemporary Amerindian Art and Current Events]
[1980-1988] |
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File 7 |
Contemporary Amerindian Artists [1972-1991] |
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File 8 |
[Contemporary Art] [1980-1991] |
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File 9 |
[Contemporary Art] [1984-1991] |
| Box |
Folder |
| Box 12 |
File 1 |
[Contemporary Art] [1985-1990] |
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File 2 |
Contemporary Arts in non-Western Societies
[n.d.] |
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File 3 |
[Contemporary Indian, Inuit and African Art]
[1987-1990] |
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File 4 |
[Contemporary Inuit and Indian Art] [1990-1991] |
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File 5 |
[Copies of Story Panels from the Exhibition
"The Distance between Two Points is Measured in Memories, Labrador 1988"
by Marlene Creates] [1988] |
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File 6 |
Courrier réponses [1990] |
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File 7 |
[Daniel Buren] [1981-1982] |
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File 8 |
Daniel Buren [1982-1984] |
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File 9 |
[Decélèbration] [1991] |
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File 10 |
[Le dur et le flexible, entre deux références
- Viviane Gray et Ron Noganosh] [1989] |
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File 11 |
Edward Poitras [1984-1991] |
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File 12 |
[Edward Poitras] [1985-1991] |
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File 13 |
Electra [1983-1984] |
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File 14 |
Études d'art Africain au XXe [1987-1988] |
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File 15 |
[The Experimental Gallery] [1991] |
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File 16 |
Fred Forest [1980-1983] |
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File 17 |
Gerald McMaster [1991] |
| Box |
Folder |
| Box 13 |
File 1 |
Hans Haacke [1981] |
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File 2 |
Hard and Soft [1987-1989] |
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File 3 |
Hervé Fischer, J.-Paul Thénot
[1976-1982] |
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File 4 |
[Indian Art] [ca. 1962-1977] |
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File 5 |
[Indian Art - Ministic Carvers Co-Op] [n.d.] |
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File 6 |
Indiens vus par les blancs - Blancs vus par
les Indiens [n.d.] |
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File 7 |
Inuit art [1973-1986] |
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File 8 |
[Inuit Art] [1977] |
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File 9 |
Inuit Art Foundation [1986] |
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File 10 |
Inuit Art - Lectures [1977-1978] |
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File 11 |
Inuit Prints - texte refusé [n.d.] |
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File 12 |
[Irene Whittome] [ca. 1980] |
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File 13 |
J. Fry. Le musée [1972-1980] |
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File 14 |
[J. Fry's articles in Parachute] [1983-1988?] |
| Box |
Folder |
| Box 14 |
File 1 |
Jacqueline Fry [1990] |
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File 2 |
[Jennifer Dickson - Some Thoughts on the
Old Field Garden] [1987] |
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File 3 |
[Jennifer Dickson - The Hospital for Wounded
Angels] [1986] |
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File 4 |
Joane Cardinal-Schubert [1983-1991] |
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File 5 |
Lance Bélanger [1988] |
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File 6 |
Lost Modernisme [1979-1989] |
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File 7 |
Louise Bourgeois - Présentation ou travail
- méthode [1985-1990] |
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File 8 |
Madame Fry - Jack Shadbolt [ca. 1986] |
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File 9 |
"Mae Home" [1991] |
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File 10 |
[Marlene Creates] [n.d.] |
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File 11 |
[Marlene Creates] [1989] |
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File 12 |
Marybelle Myers Inuit Art and Craft Co-operatives
- Inuit Art [1978] |
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File 13 |
[Native American Art Studies Association] [1985] |
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File 14 |
[Le Neoprimitivisme] [n.d.] |
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File 15 |
Northwest Coast Arts [1977-1983] |
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File 16 |
Northwest Coast Arts [1989] |
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File 17 |
The Northwest: A Collector's Vision [n.d.] |
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File 18 |
Paysagistes et Portraitistes [n.d.] |
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File 19 |
Pierre Sioui [1987] |
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File 20 |
Rebecca Belmore [1991] |
| Box |
Folder |
| Box 15 |
File 1 |
[Richard Purdy] [1984-1990?] |
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File 2 |
Robert Houle [1975-1991] |
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File 3 |
[Robert Houle - Mohawk Summer] [1991] |
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File 4 |
Ron Noganosh [1985-1989] |
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File 5 |
Sarain Stump [1974] |
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File 6 |
[Shirley Bear] [n.d.] |
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File 7 |
Shirley Bear [1984-1987] |
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File 8 |
Stephen Cruise - Courrier - Cartes d'Exposition
[1983-1990] |
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File 9 |
[Task Force on Museums and First Peoples] [1990] |
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File 10 |
[Text by J. Fry on Contemporary Amerindian
Art] [n.d.] |
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File 11 |
Tradition et modernité [1985] |
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Series 3 - Amerindian & Inuit History, Culture and Traditional Art
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| Box |
Folder |
| Box 16 |
File 1 |
[Twentieth Century Art and the Influence of
African Art] [1972-1980] |
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File 2 |
[Two Notebooks] [n.d.] |
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File 3 |
[U Shaman - Chamen, Dis-moi Pourquoi? Shaman,
Tell me why? By Pierre Sioui] [1990] |
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File 4 |
Viviane Gray [1981-1986] |
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File 5 |
Viviane Gray [1988-1990] |
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File 6 |
[Amerindian and Inuit Art and Culture] [1962-1991] |
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File 7 |
[Amerindian and Inuit History, Culture and
Traditional Art] [1976] |
|
File 8 |
[Amerindian Art, Culture and History and National
Indian Arts Council] [1972-1977] |
|
File 9 |
[Bibliographies on Amerindians and Amerindian
Art] [1990] |
|
File 10 |
[The Brockville Recorder and Times -
An Interview with an Inuit Elder] [1991] |
|
File 11 |
Canadian Indian Art - Côte Pacifique
(M.F. Guedon?) [Traditional and Contemporary Art on the Northwest Coast]
[n.d.] |
| Box |
Folder |
| Box 17 |
File 1 |
[Canadian Eskimo Carving in Historical Perspective]
[1962] |
|
File 2 |
[Copper Use among Amerindians - M. de Widerspach-Thor]
[1979] |
|
File 3 |
Cours terminés - Arts non-occidentaux
[Inuit History and Art] [1975-1991] |
|
File 4 |
Histoire [History of Amerindians and Amerindian
Art] [1977-1983] |
|
File 5 |
["Images Stone BC" - An Exhibition of Traditional
Indian Sculpture] [1975-1979] |
|
File 6 |
Indian Voice - Meech Lake [Amerindian Organizations
Addressing the Meaning of "Distinctness"] [1990-1991] |
|
File 7 |
[Innu Current Affairs and Inuit Art] [1984-1989] |
|
File 8 |
Inuit [1986] |
|
File 9 |
[J. Fry's Text on the Art of the Northwest
Coast?] [n.d.] |
|
File 10 |
Loans from Glenbow [n.d.] |
|
File 11 |
[Northwest Coast Art] [1976] |
|
File 12 |
Notes de lecture Indiens Northwest Coast [n.d.] |
|
File 13 |
Tupilek [Inuit Art] [1950] |
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Series 4 - Other Professional Papers
|
| Box |
Folder |
| Box 18 |
File 1 |
ACFAS "Displays" Impertinents - Notes, Manuscrites
[1991] |
|
File 2 |
Activités, comptes-rendus, Saved [1983-1989] |
|
File 3 |
[African Art, Student's Assignments, Garden
Hill Indian Co-op] [1973-1976, 1982-1984] |
|
File 4 |
[Amerindians, Irene Wittome and Montreal] [ca.
1985] |
|
File 5 |
[Annotated map of "Archipel des Îles
Bissagos"] [1979] |
|
File 6 |
Art et Anthropologie - Musée du Bas
St-Laurent [1967-1988] |
|
File 7 |
[Articles by J. Fry] [n.d.] |
|
File 8 |
[Assortment of loose items from BOX #1] [1975-1990] |
| Box |
Folder |
| Box 19 |
File 1 |
[Assortment of loose items from BOX # 21] [1968-1990] |
|
File 2 |
[Assortment of loose items from BOX # 23] [1980-1991] |
|
File 3 |
[Assortment of loose items from BOX # 45] [1960-1991] |
|
File 4 |
[Assortment of loose items from BOX # 47] [ca.
1967] |
|
File 5 |
[Centenaire de la maison des missions: 1887-1987]
[1987] |
|
File 6 |
Chamanisme [1975-1988] |
|
File 7 |
[Colloque 1975-1987?] |
|
File 8 |
[Contemporary Amerindian Art and Other Material]
[1984-1989] |
|
File 9 |
[Copies from Publications by Italo Calvino
and Journal de Genève] [1986] |
|
File 10 |
[Correspondence] [1990-1991] |
|
File 11 |
[Correspondence from Maureen Korp (Doctoral
Student, Religious Studies, University of Ottawa)] [1987-1988] |
|
File 12 |
[Correspondence from Pierre Gaudibert] [1981] |
| Box |
Folder |
| Box 20 |
File 1 |
[Correspondence from Réjane Thibault
- Wunderkammer Exhibition] [1985] |
|
File 2 |
[Correspondence - Lang Collection - Museology
Course] [1977; 1980-1982] |
|
File 3 |
Courrier en cours [1990-1991] |
|
File 4 |
En cours - Esthétique [1965-1986] |
|
File 5 |
[Course Material - Museology] [1969-1980] |
|
File 6 |
[Exhibition Catalogue and Periodicals] [1950-1979] |
|
File 7 |
["Les Habitants-Paysagistes" by Bernard Lassus]
[n.d.] |
|
File 8 |
[Impressions d'Afrique] [n.d.] |
|
File 9 |
[Invitations to Vernissages] [1991] |
|
File 10 |
Jean Laude - Le Centre de recherches historiques
sur les relations artistiques entre les cultures [n.d.] |
|
File 11 |
[La lecture de l'objet matériel - by
Diane Vincent] [1986] |
|
File 12 |
[Map of Canada] [1966] |
|
File 13 |
[Masks as Metaphors of Anti-Structure - by
Marjorie M. Halpin] [1976] |
|
File 14 |
Methodologie - Conférence Questionnaires
[1986] |
| Box |
Folder |
| Box 21 |
File 1 |
[Michel Leiris] [1985] |
|
File 2 |
Musée Sherbrooke [1990] |
|
File 3 |
[Muséologie - Art 3010] [1978] |
|
File 4 |
[Nature Art Gallery Project Team - Evaluation
Action Plan - National Museum of Man] [1985] |
|
File 5 |
Newspaper Clippings [1980-1989] |
|
File 6 |
Papers Vastokas Myers Grayburn Phillips [1984-1987] |
|
File 7 |
"Passages a l'age d'homme" Presse [1968-1969] |
|
File 8 |
[Photographs] [1978-1990] |
|
File 9 |
Politique du musée - Musée de
la Civilisation [n.d.] |
|
File 10 |
Prêt [1965-1976] |
|
File 11 |
[Primitivism - Aesthetics] [n.d.] |
| Box |
Folder |
| Box 22 |
File 1 |
[Slides, Notes, Articles on Contemporary, African
and Amerindian Art] [1975-1990] |
|
File 2 |
[Sound Recordings and Computer Diskettes] [1971-1985] |
|
File 3 |
[Symposium d'ethno-Esthétique Africaine
- Correspondence] [1977;1991] |
|
File 4 |
[Terminology, Classification and Nomenclature
of Archaeology and Ethnology] [ca. 1985] |
|
File 5 |
Textes actuels [1980-1991] |
| Box |
Folder |
| Box 23 |
File 1 |
Textes théoriques ou critiques [1964-1985] |
|
File 2 |
[University of Ottawa - Staff ID and Pin] [1977] |
| Box |
|
| Box 24 |
|
Slides |
|
|
| Box 25 |
|
Slides |
|
|
| Box 26 |
|
Slides |
Return to the Table of Contents
|