Search the Collection

The Gallery is working hard to bring you even more of the national collection online. Make sure to visit our website often to see what’s new, as we continue to add images and content to this popular digital resource.

Displaying all results

Clear Searches
Grid View List View
Artist
Medium
Category
Time
7
Image not available

Likers

Date: 
1972
Medium: 
Sculpture
Accession number: 
17154.1-5
Category: 
Later Canadian Art
Image not available

Bleen

Date: 
1971-1972
Medium: 
Sculpture
Accession number: 
17156.1-3
Category: 
Later Canadian Art
Image not available

Without the Concepts of Space and Time

Date: 
1976
Medium: 
Sculpture
Accession number: 
23270.1-4
Category: 
Later Canadian Art
Image not available

We Can Build New Belief Systems

Date: 
1976
Medium: 
Sculpture
Accession number: 
23271
Category: 
Later Canadian Art
Image not available

Buy Me

Date: 
1981
Medium: 
Sculpture
Accession number: 
29689
Category: 
Later Canadian Art
Image not available

NO TV/Stoa brokdaon finis

Date: 
1987
Medium: 
Sculpture
Accession number: 
30719
Category: 
Later Canadian Art
Image not available

Phil Moscowitz

Date: 
1972
Medium: 
Sculpture
Accession number: 
17153.1-3
Category: 
Later Canadian Art
7
Robin Collyer
Robin Collyer
Robin Collyer
Robin Collyer
Robin Collyer
Robin Collyer
Robin Collyer

On View From the Collection

Lawren S. Harris, Northern Lake, Autumn, c. 1923. Oil on canvas.

Growing the National Collection: The Marvelle and Murray Koffler Gift of Canadian Art

Celebrating Canadian historical landscape painting at its finest, five outstanding works donated by the Koffler Family are now on view in the Indigenous and Canadian Galleries.
Canadian and Indigenous Art.

Indigenous and Canadian Art

In these Galleries the parallel and, at times, interrelated stories of Indigenous and Canadian art in Canada are brought together in one unforgettable display.
Janet Cardiff: Forty-Part Motet.

Janet Cardiff: Forty-Part Motet

This brilliant sound sculpture by Canadian artist Janet Cardiff is a reworking of Spem in Alium, a piece by 16th-century English composer Thomas Tallis.