The Assumption of the Virgin

This altarpiece, painted for the Spini family chapel in Santa Trìnita, Florence, was Neri’s first important commission. After the Virgin’s burial, her body was taken up into heaven. The Apostles gathered around her sarcophagus find only flowers within. Some stare in amazement; some are lost in grief; others, understanding the true nature of the miracle, look heavenward to see the Virgin in glory. To relieve Saint Thomas’ doubts, the Virgin offers physical proof, giving him her sash. Deemed a holy relic, it was venerated at Prato, near Florence. At bottom is a picture within a picture: a Crucifixion, which refers to the Mass celebrated at the altar below.