Ed Pien has produced daily automatic drawings for many years, allowing one day’s work to intuitively spawn the next. Using the still-wet ink of one drawing to create a monoprint, he takes the ghostly image that appears afterward – its inkblots, stains and drips – as his next point of departure. Here, the artist has collaged and reworked selections from a decade’s worth of work into an epic, kaleidoscopic composition that charts the topography of his mind. Including figures inspired by Taiwanese and Chinese folklore, this writhing nest of abstract forms melds human and mutant worlds, exploring primal fears and otherness, as well as the limits of the body and psyche.