The Board of Trustees sets the Gallery’s direction through its Corporate Plan, the centrepiece of the accountability regime adopted by Parliament for Crown corporations. The Plan keeps Parliament and the public informed of the Gallery’s priorities, objectives, strategies, and performance indicators. It commits the Gallery to a planned strategic direction over a five-year period.
The Board’s oversight role requires regular monitoring of corporate performance, annual assessment of the performance of the Director, and annual reporting to Parliament. Regular monitoring of corporate performance alerts the Board to new developments within the Gallery and in its external environment, and assists the Board in decision-making.
The Board ensures that the Gallery’s principal business risks have been identified and that appropriate systems to monitor and manage these risks are implemented. All major decisions involving Gallery assets and their financing are reviewed and approved by the Board.
For reassurance about the integrity of the information it receives, as well as the Gallery’s internal control system, the Board relies heavily on the Gallery’s audit system. The internal and external audit regime is set out in Part X of the Financial Administration Act. An external Gallery audit consists of an annual audit and, at least once every ten years, a Special Examination conducted by the Office of the Auditor General.
The Board establishes a set of corporate policies that clarify its expectations and management’s authority and responsibilities. These policies govern areas such as acquisitions, research, conservation, exhibitions, human resources and contracting. The Board of Trustees reviews and updates all corporate policies according to a five-year cycle, ensuring that the policies continue to provide the necessary direction.
The Board plays a key role in the effective succession of Trustees and critical Gallery management positions. Notwithstanding the Government’s prerogative to appoint Trustees, the Board is expected to play an active role in making recommendations to the Government. The Board is also expected to plan for the succession of its Chairperson by establishing appointment criteria and providing nominations to the Minister of Canadian Heritage and Official Languages. As well, the Board appoints the Director of the Gallery with approval of the Governor-in-Council.
Françoise Lyon is a Senior Executive with 25 years of experience in the financial services industry, across of range of disciplines including business development, strategic initiatives, operations, change management, and sales and marketing. She has extensive experience working with ultra-high net worth and high net worth individuals, as well as entrepreneurial and institutional clients across Canada and internationally.
Ms. Lyon is presently the President and Managing Partner of DGC Capital, a Canadian private equity firm focused on information and communication technologies, technology, lifestyle and advanced manufacturing sectors. Prior to her appointment to DGC Capital, she was Senior Vice-President-Canada at Pembroke Private Wealth Management Ltd. (2011-2017); Vice-President and Head-Eastern Canada for the Private Client Services Group with the Bank of America Merrill Lynch (2010-2011); and Vice-President, Strategy and Marketing - Wealth Management Group with National Bank Financial Group of Canada (2006-2010).
Ms. Lyon holds a Bachelor in Business Administration Degree from L’École des Hautes Études Commerciales (HEC) in Montréal and a Certificate in Public Relations Management from McGill University, complemented by advanced studies through the Canadian Securities Institute, the International Business Specialization Exchange Program at Bath University in England, and the Harvard Business School.
In addition to her work with the National Gallery of Canada, Ms. Lyon serves on a variety of boards and associations. She is presently: a Director of the Washington-based International Women’s Forum Leadership Foundation and President of the Canadian Forum of the International Women’s Forum; President of the Quebec Financial Women’s Association; and Founder of the Women of Influence Circle of the Montreal Museum of Fine Arts. She previously served as Director of: Crossroads International; Réseau HEC Montréal; and Dakis Decision Systems Inc. She is a former Chair of the Audit Committee of National Bank Securities and a former Vice-President of the Charles-Lemoyne Hospital Board.
In 2015, Premières en affaires magazine named Ms. Lyon one of Quebec’s 8 Incontournables en finances (Eight Key Female Financial Players). In 2014 she was named by the Canadian Board Diversity Council as a Diversity 50 Fellow. Ms. Lyon is also the recipient of the Queen Elizabeth II Diamond Jubilee Medal.
Anne-Marie Applin is a marketing strategy, communications and branding expert, with extensive experience in providing C-Suite counsel to companies in a broad range of industries. Ms. Applin is Founder and President of Applin Marketing.
A sought-after board member, Ms. Applin has contributed to numerous boards in significant leadership capacities over the past 25 years, providing strong governance and business expertise. She currently serves on the Board of Directors of The Empire Club of Canada and Tafelmusik Baroque Orchestra and Chamber Choir. She is the former President of the TVOntario Foundation, and previously served on the boards of The National Film Board of Canada; TVOntario; The Royal Ontario Museum’s Royal Patron’s Circle; University Health Network - Arthritis Research Foundation; The St. Lawrence Centre for the Arts; The Advertising Review Board of Ontario; The National Aboriginal Achievement Foundation (now Indspire); The Canada China Business Council; and Centennial College Retail Advisory Board. Ms. Applin is a past Governor of the University of Toronto, serving on both its Business Board and Budget Committee.
As a graduate of the Institute of Corporate Directors - Directors Education Program at the University of Toronto’s Rotman School of Management, Ms. Applin holds the ICD.D designation. She also holds a Bachelor of Arts degree from the University of Toronto. Ms. Applin holds a University of Toronto Arbor Award, and was a 1997 nominee for Toronto’s “Women Who Make A Difference” Award. She is honoured to be a recipient of both the Queen Elizabeth II Diamond and Golden Jubilee Medals, which recognize her significant contributions to her fellow citizens, the community, and to Canada.
Paul R. Baay is a graduate of the University of Western Ontario, with a Bachelor of Arts degree in administrative and commercial studies. As a graduate of the Institute of Corporate Directors, Rotman School of Management Directors Education Program, Mr. Baay holds an ICD.D designation.
With more than thirty years’ experience leading various energy companies, Mr. Baay has been the President, Chief Executive Officer and Director of Touchstone Exploration Inc. since 2010.
In addition to his involvement with the National Gallery of Canada, Mr. Baay has held a variety of positions within the not-for-profit sector. He is currently the Vice Chair for the Alberta Foundation for the Arts and a member of the World Presidents’ Organization. Formerly, Mr. Baay sat on the board of the Rundle Mountain Charitable Foundation, the British North American Committee, the Council for Canadian American Relations, the Alberta College of Art and Design, the Calgary Humane Society, the Canadian Association of Petroleum Producers, the Canadian Oil and Gas Symposium, the Calgary Zoological Society, the Junior Achievement of Southern Alberta, the University of Western Ontario Alumni and the University of Western Ontario Board of Trustees.
In 1998, he was chosen by the Financial Post Foundation as one of Canada’s Top 40 under 40.
Lisa Browne is Chief Executive Officer of Stella’s Circle, a community organization based in St. John’s, Newfoundland and Labrador that aims to transform lives through real homes, real help and real work. In both 2017 and 2018, Ms. Browne was named one of the Top 50 CEOs in Atlantic Canada by Atlantic Business Magazine and received the 2019 PJ Gardiner Entrepreneur of the Year from Memorial University of Newfoundland.
Ms. Browne holds a Bachelor of Arts degree and a Master of Business Administration degree from Memorial University of Newfoundland.
Terry Burgoyne is a partner in the national law firm of Osler, Hoskin & Harcourt LLP, and practises corporate law in the firm’s Toronto office. He has a Bachelor of Commerce degree in finance from Dalhousie University and a Bachelor of Laws degree from the University of Toronto. Mr. Burgoyne has more than 35 years of business law experience, principally in private mergers and acquisitions, joint ventures and strategic alliances, cross-border transactions and professional services businesses. In addition to his active practice, Mr. Burgoyne is also Osler’s General Counsel, with responsibility for the firm’s legal affairs and risk management, including conflict of interest and other compliance matters.
Mr. Burgoyne has been actively involved in the visual arts community in Canada for many years, having previously served as a board member of Visual Arts Ontario, the Canadian Art Foundation and the Museum of Contemporary Canadian Art (now the Museum of Contemporary Art – Toronto) where he also served as Chair of the board. He is currently a member of the Curators’ Circle Committee of the Art Gallery of Ontario. In addition to his external involvement with visual arts organizations, Mr. Burgoyne has for a number of years served as the custodian of Osler’s collection of contemporary Canadian art, which the firm began in the late 1970s.
Mandeep Roshi Chadha, a Montrealer, has many years of experience in the art world. Her primary interest is Inuit art, which she has explored through her education, as a collector, and by initiating art exchanges between Canada and India.
Ms. Chadha holds both a Bachelor’s and Master’s degree in Art History from Concordia University in Montreal. She has also held numerous positions on various national and Montreal-based boards, including the Board of Governors of the Montreal Museum of Fine Arts and the Canadian Centre of Architecture.
A Chartered Professional Accountant (CPA), Dominique Hamel holds a Bachelor’s degree in accounting from l’École des hautes études commerciales (HEC) in Montreal and a Master’s degree (with Distinction) in accounting and finance from the London School of Economics and Political Science (LSE).
Ms. Hamel is part of the corporate finance team at Intact Financial Corporation, having previously worked in accounting and audit with National Bank and KPMG. As a Research Associate at Harvard Business School, she co-authored several case studies highlighting risk management practices in fields from toy manufacturing to hydroelectricity production. She also collaborated with professors at HEC to study productivity in Quebec’s public sector, and developed teaching material for undergraduate, MBA and Executive Education courses at both Harvard and HEC.
Ms. Hamel has been President of the Montreal chapter of the LSE Alumni Association since 2014. She was a member of the Conseil jeunesse de Montréal , an advisory body to the city’s municipal administration, and has served on the Executive Committee of the Montreal Museum of Fine Arts’ Young Philanthropists’ Circle. A committed supporter of the visual arts, Ms. Hamel resides in Montreal with her husband and two children.
Adad Hannah is an artist living in Burnaby, British Columbia. He was born in New York, spent his childhood in Israel and England, and moved to Vancouver in the early 1980’s.
Mr. Hannah holds a Bachelor of Fine Arts degree from Emily Carr University of Art + Design, along with a Master and Doctorate of Fine Arts both from Concordia University in Montreal.
Mr. Hannah exhibits regularly at Pierre-François Ouellette art contemporain in Montreal and Equinox Gallery in Vancouver. His works often take the form of video-recorded tableaux vivants. Through his videos, photographs, and installations, he explores the nexus of photography, video, sculpture, and performance and how the human body occupies this space. He has produced commissioned projects for museums around the world and has been the recipient of numerous grants and prizes including the Canada Council for the Arts’ Victor Martyn Lynch-Staunton Award for mid-career artists. Mr. Hannah’s work can be found in the permanent collections of many institutions, including the National Gallery of Canada, the Musée d’art contemporain de Montréal, the Montreal Museum of Fine Arts, the Musée Rodin in Paris, the Museo Tamayo in Mexico City, and the Samsung LEEUM Museum in Seoul.
Brian McBay is Co-Founder and Executive Director of 221A, a Vancouver-based non-profit organization that works with artists and designers to research and develop social, cultural and ecological infrastructure. He is known for applying his unique skillset and training as an industrial designer to non-profit property design, construction and regulation.
In 2018, Mr. McBay was named a Fellow at the Salzburg Global Forum and has been invited to speak on art, policy and urban development to a range of cultural, civic and institutional audiences. In addition to his role with the National Gallery of Canada, Mr. McBay is President of the Pacific Association of Artist Run Centres and a member of the City of Vancouver Arts and Culture Advisory Committee.
Sara Stasiuk is Vice President of Finance and Operations at The Forks North Portage Partnership, a key stakeholder in the development of downtown Winnipeg that is responsible for the ownership, management and on-going renewal of The Forks and North Portage sites.
Ms. Stasiuk has been volunteering in Winnipeg’s arts community and has worked in the music industry for many years. Prior to her current role with The Forks North Portage Partnership, she was Director of Operations at Six Shooter Records and Interstellar Rodeo, overseeing the record label’s operations and the company’s festival expansion. In her time with the company, she brought Interstellar Rodeo to Winnipeg music fans: the festival made CBC’s “Top 10 summer music festivals” list. Ms. Stasiuk is also a former Executive Director of what is now Manitoba Music, tasked with strengthening the province’s music industry and helping to build sustainable careers in the arts. During her time with Manitoba Music, Ms. Stasiuk served on the Winnipeg JUNO Committee, the Western Canadian Music Alliance, the boards of FACTOR and the Polaris Music Prize and many other music, entertainment and arts-focused boards and committees.
Ms. Stasiuk is both a Chartered Professional Accountant (CPA) and a Certified Management Accountant (CMA), and holds a Bachelor of Commerce (Honours) degree from the University of Manitoba.
In addition to her work with the National Gallery of Canada, Ms. Stasiuk serves on the boards of Travel Manitoba, Winnipeg Host Committee, and the Manitoba Foundation for the Arts, advocating for art and artists at every opportunity.
Clayon Windatt is a Métis, non–binary multi-artist living and working between Sturgeon Falls and Toronto, Ontario. With an extensive history working in artist-run culture and community arts, Clayton works towards healthier relationships for national and global Indigenous artists and communities.
The former Executive Director of the Aboriginal Curatorial Collective, Clayton is an active writer, filmmaker and visual-media artist, who also works with several colleges and universities, arts magazines, arts councils and organizations, providing professional services as a critical writer, columnist and consultant.
Clayton is an active filmmaker and director with works featured in festivals such as ImagineNative and the Toronto International Film Festival, and recent commissions by the National Film Board of Canada.
Clayton holds a Bachelor of Arts in Fine Arts degree from Nipissing University and certification as a Graphic Designer from Canadore College.