Collections

The EntombmentEnlarge image

The Entombment, c. 1612-1614

Peter Paul Rubens (after Michelangelo Merisi da Caravaggio)
Flemish, 1577 - 1640
oil on oak
88.3 x 66.5 cm; 103.5 x 80 x 9.7 cm (framed)
Purchased 1956
National Gallery of Canada (no. 6431)

Caravaggio's monumental altarpiece, "The Entombment" was among his most celebrated works. Rubens knew it well, having painted another altarpiece in the same Roman church. He paid homage to it years later, after his return to Antwerp. Rubens subtly transformed his model, assimilating Caravaggio's work to his own artistic vision. He tamed the figures' grief and reconsidered their relationship, yet he preserved the heart of Caravaggio's invention - the almost physical presence of Christ's inert and vulnerable body. We sense its weight and feel the struggle to lower it gently into the tomb. Although a finished work, the artist executed it with a freedom closer to a sketch, and his fluid handling of paint is extraordinarily accomplished.

Categories

International

Audioguide

Audioguide (1 min 38 sec)

Media

No Media

Library and Archives

Search for catalogue entries

Extras

No Extras