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Activities & Events : Martin Creed: Work No. 202: Half the air in a given space (show all)

  • Sunday February 24, 2013
  • event
    Exhibition
    Martin Creed: Work No. 202: Half the air in a given space
    Gallery B108

    1 February – 1 April 2013

    Work No. 202: Half the Air in a Given Space exemplifies Turner-prize winning artist Martin Creed’s career-long investigation into how we physically experience everyday life. Creed produces his works, which now number over 1000 projects, by himself, with performers, or, in this case, through the active participation of visitors. In this installation the artist gives form to the air that surrounds us by precisely measuring and capturing half of it inside nearly twenty thousand black balloons. Creating an environment that is both playful and claustrophobic, he drastically alters our perception of space. Here, as in the majority of his production, Creed uses the art museum, a site of meaningful contemplation, to turn our experience of the ordinary into a work of art.

    Organized by the National Gallery of Canada.

    Access to the installation space is subject to certain conditions. Restrictions may apply.

  • Tuesday February 26, 2013
  • event
    Exhibition
    Martin Creed: Work No. 202: Half the air in a given space
    Gallery B108

    1 February – 1 April 2013

    Work No. 202: Half the Air in a Given Space exemplifies Turner-prize winning artist Martin Creed’s career-long investigation into how we physically experience everyday life. Creed produces his works, which now number over 1000 projects, by himself, with performers, or, in this case, through the active participation of visitors. In this installation the artist gives form to the air that surrounds us by precisely measuring and capturing half of it inside nearly twenty thousand black balloons. Creating an environment that is both playful and claustrophobic, he drastically alters our perception of space. Here, as in the majority of his production, Creed uses the art museum, a site of meaningful contemplation, to turn our experience of the ordinary into a work of art.

    Organized by the National Gallery of Canada.

    Access to the installation space is subject to certain conditions. Restrictions may apply.

  • Wednesday February 27, 2013
  • event
    Exhibition
    Martin Creed: Work No. 202: Half the air in a given space
    Gallery B108

    1 February – 1 April 2013

    Work No. 202: Half the Air in a Given Space exemplifies Turner-prize winning artist Martin Creed’s career-long investigation into how we physically experience everyday life. Creed produces his works, which now number over 1000 projects, by himself, with performers, or, in this case, through the active participation of visitors. In this installation the artist gives form to the air that surrounds us by precisely measuring and capturing half of it inside nearly twenty thousand black balloons. Creating an environment that is both playful and claustrophobic, he drastically alters our perception of space. Here, as in the majority of his production, Creed uses the art museum, a site of meaningful contemplation, to turn our experience of the ordinary into a work of art.

    Organized by the National Gallery of Canada.

    Access to the installation space is subject to certain conditions. Restrictions may apply.

  • Thursday February 28, 2013
  • event
    Exhibition
    Martin Creed: Work No. 202: Half the air in a given space
    Gallery B108

    1 February – 1 April 2013

    Work No. 202: Half the Air in a Given Space exemplifies Turner-prize winning artist Martin Creed’s career-long investigation into how we physically experience everyday life. Creed produces his works, which now number over 1000 projects, by himself, with performers, or, in this case, through the active participation of visitors. In this installation the artist gives form to the air that surrounds us by precisely measuring and capturing half of it inside nearly twenty thousand black balloons. Creating an environment that is both playful and claustrophobic, he drastically alters our perception of space. Here, as in the majority of his production, Creed uses the art museum, a site of meaningful contemplation, to turn our experience of the ordinary into a work of art.

    Organized by the National Gallery of Canada.

    Access to the installation space is subject to certain conditions. Restrictions may apply.

  • Friday March 01, 2013
  • event
    Exhibition
    Martin Creed: Work No. 202: Half the air in a given space
    Gallery B108

    1 February – 1 April 2013

    Work No. 202: Half the Air in a Given Space exemplifies Turner-prize winning artist Martin Creed’s career-long investigation into how we physically experience everyday life. Creed produces his works, which now number over 1000 projects, by himself, with performers, or, in this case, through the active participation of visitors. In this installation the artist gives form to the air that surrounds us by precisely measuring and capturing half of it inside nearly twenty thousand black balloons. Creating an environment that is both playful and claustrophobic, he drastically alters our perception of space. Here, as in the majority of his production, Creed uses the art museum, a site of meaningful contemplation, to turn our experience of the ordinary into a work of art.

    Organized by the National Gallery of Canada.

    Access to the installation space is subject to certain conditions. Restrictions may apply.

  • Saturday March 02, 2013
  • event
    Exhibition
    Martin Creed: Work No. 202: Half the air in a given space
    Gallery B108

    1 February – 1 April 2013

    Work No. 202: Half the Air in a Given Space exemplifies Turner-prize winning artist Martin Creed’s career-long investigation into how we physically experience everyday life. Creed produces his works, which now number over 1000 projects, by himself, with performers, or, in this case, through the active participation of visitors. In this installation the artist gives form to the air that surrounds us by precisely measuring and capturing half of it inside nearly twenty thousand black balloons. Creating an environment that is both playful and claustrophobic, he drastically alters our perception of space. Here, as in the majority of his production, Creed uses the art museum, a site of meaningful contemplation, to turn our experience of the ordinary into a work of art.

    Organized by the National Gallery of Canada.

    Access to the installation space is subject to certain conditions. Restrictions may apply.

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