About

Michael Snow
Clothed Woman (In Memory of my Father) 1963
oil and lucite on canvas
152 x 386.2 cm
Purchased 1966
National Gallery of Canada

Sanaugavut: Inuit Art from the Canadian Arctic

Ottawa - September 27, 2010

Masterpieces from the national gallery of canada’s collection of inuit art are exhibited in india for the first time.

 A world-exclusive presentation at the National Museum in New Delhi from September 27,  2010 to January 2, 2011.

Today, the National Gallery of Canada (NGC) is proud to present – as a world exclusive and for the first time in Asia – Sanaugavut: Inuit Art from the Canadian Arctic, an exhibition of masterpieces from the NGC’s Inuit art collection. Organized by the NGC with the National Museum and the National Museum Institute in New Delhi, India, Sanaugavut is a result of the first collaboration between the two institutions, providing an opportunity to build a cultural bridge between two nations with very different cultures. The exhibition is on view at the National Museum in New Delhi until January 2, 2011.

Sanaugavut is an excellent introduction to Inuit art, and it is with great pleasure that we are offering the Indian public the chance to see an exhibition that represents a remarkable chapter in Canadian art history,” said NGC Director, Marc Mayer. “Inuit artists are recognized throughout the world for their remarkable creativity. We are all the more pleased to highlight Inuit culture and achievements as this exhibition coincides with the Inuit Tapiriit Kanatami’s campaign, 2010 Year of the Inuit. We are grateful for the generous support and leadership of our many sponsors, without whom this exhibition could not have taken place.”

The organization of the exhibition was made possible through the support of Bombardier, the exhibition’s presenting sponsor; The Ministry of Culture of the Government of India; The Chadha Family Foundation; as well as Air Canada and Jet Airways for the transportation of the works of art.

The presentation of Sanaugavut coincides with initiatives undertaken by the Canadian and Indian governments to strengthen established cultural ties between Canada and India. A Memorandum of Understanding on cultural cooperation between the two countries, signed by Prime Minister Harper and Prime Minister Singh following the G-8 Summit in June, mentions this exhibition.

Sanaugavut – which means “our works of art” in Inuktitut – features works of art from the past 60 years of art-making in the Canadian Arctic and brings together 46 sculptures, seven prints, three drawings, a tapestry, and two videos. The exhibition is structured geographically and chronologically – from the early 1940s to the present. Works are included from the four regions of Inuit Nunangat: Nunatsiavut, Nunavik, Nunavut, and the Inuvialuit Settlement Region. The main themes of Inuit art are richly illustrated – traditional cultural knowledge and social values, spiritual and cosmological beliefs, oral traditions – stories transmitting myths, historical events, personal experiences – and artistic creativity and innovation.

A history of cultural expressions
For more than 4,000 years, circumpolar peoples have been living in Inuit Nunangat, the Inuit homeland, located in the Canadian Far North. Throughout the millennia, the Inuit and their ancestors have created their own distinct cultural expressions, inspired by their environment, their daily life, and the multiple transformations their society has undergone.  But it was in the mid-twentieth century that Inuit art as we know it today emerged: these prints, drawings, works on fabric, and stone sculptures are among the great treasures of Canada.

A variety of media and themes
The early 1940s marked an important turning point in Inuit artistic expression. Over the next decade, drawings and prints, works on fabric, and stone sculptures emerged, bringing the artists into the era of the modern art movement. More recently, video and film have re-established ties to the oral traditions, songs, and performances, giving the oldest modes of expression a contemporary relevance.

In a variety of media and stylistic approaches, the artists address themes that are concerned with their heritage, since Inuit art first and foremost reflects their identity. While the majority of Inuit artists in the past sixty years have focused on a way of life that existed prior to the settlement era, others explore aspects of modern life in the North. Many artists create art to record complex metaphysical and spiritual beliefs, as well as myths and legends.

In addition, a number of important works are born of other sources of inspiration. Several artists have given free reign to their imagination and fantasies. Self-taught, Inuit artists have inventively created their own iconographies and pictorial devices to give form to their aesthetic and artistic visions.

The curator
Christine Lalonde, Associate Curator of Indigenous Art at the NGC, is the curator of Sanaugavut: Inuit Art from the Canadian Arctic. She joined the NGC in 1988, and since 1994 she has been actively writing about and working with Inuit artists from across the Canadian Arctic. She is responsible for the NGC’s Inuit art collection and has organized more than a dozen solo exhibitions for artists such as Pitseolak Ashoona (1996) and Josie Papialuk (2003), as well as group exhibitions such as Inuit Sculpture Now (2005) and Uuturautiit: Cape Dorset Celebrates 50 Years of Printmaking (2009).

Catalogue
A richly illustrated 128-page catalogue produced by the National Gallery of Canada accompanies the exhibition. Main essay by principal author Christine Lalonde, Associate Curator of Indigenous Art at the NGC and curator of the exhibition, with contributions by Mary Simon, president of the Inuit Tapiriit Kanatami, and Anupa Pande, PhD, professor and director of the art history department at the National Museum Institute of History of Art, Conservation and Museology, National Museum, New Delhi, India. Available in English. The soft-cover catalogue is on sale at the National Museum, New Delhi.

Ulluriat: Stellar works from the NGC collection
CyberMuse, the NGC’s educational site, includes a micro-site devoted to the Gallery’s Inuit art collection. The Ulluriat site (ulluriat means “stars”) presents images of 28 stellar works, as well as the cultural knowledge, myths and legends that inspired each one. To visit the site, click on the “Cybermuse” tab at www.gallery.ca.

About the National Gallery of Canada
The National Gallery of Canada is home to the most important collections of historical and contemporary Canadian art in the world, including the extensive collection of the Canadian Museum of Contemporary Photography. The Gallery also maintains Canada's premier collection of European Art from the 14th to the 21st century, as well as important works of American, Asian and Indigenous Art and renowned international collections of prints, drawings and photographs. Created in 1880, the National Gallery of Canada has played a key role in Canadian culture for well over a century. Among its principal missions is to increase access to excellent works of art for all Canadians. To do so, it maintains the largest touring art exhibition programme in the world. For more information, visit www.gallery.ca

About The National Museum, New Delhi
The National Museum, New Delhi, today, has in its possession over 2,00,000 works of exquisite art, both of Indian and Foreign origin covering more than 5,000 years of our cultural heritage. Its rich holdings of various creative traditions and disciplines which represents a unity amidst diversity, an unmatched blend of the past with the present and strong perspective for the future, brings history to life.

About The National Museum Institute, New Delhi
The National Museum Institute of History of Art, Conservation and Museology came into existence in 1983 and now is deemed to be a University that provides various Courses with its campus at National Museum (New Delhi).


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Source : C. Lalonde; Sanaugavut. Inuit Art from the Canadian Arctic, 128 pages, National Gallery of Canada, Ottawa. 2010

For more information or to obtain access to the Media Centre for images, please contact:

Josée-Britanie Mallet
Senior Media and Public Relations Officer
National Gallery of Canada
613-990-6835
bmallet@gallery.ca

Claire Schofield
Manager Communications and Public relations
National Gallery of Canada
613-990-7081
cschofield@gallery.ca