About

Michael Snow
Clothed Woman (In Memory of my Father) 1963
oil and lucite on canvas
152 x 386.2 cm
Purchased 1966
National Gallery of Canada

Central European Drawings from the National Gallery of Canada

Ottawa (Ontario), - June 15, 2010

A major exhibition featuring intriguing treasures from the Gallery’s drawings and prints collection.

Until September 12, 2010

An intriguing exhibition of rarely-seen prints and drawings, including over 30 new acquisitions, taken largely from the National Gallery of Canada’s (NGC) own collections is on view from now until September 12, 2010. Central European Drawings from the National Gallery of Canada features magnificent master works by Dürer, Klimt, Kirchner, Nolde, Dix, and Grosz. The exhibition surveys the period from the early sixteenth century to the end of the Second World War and reflects the historical and geographical diversity of Central Europe. Due to their fragility these works are seldom displayed.

 “The Gallery’s collection of drawings from Central Europe is the richest and most diverse in the land,” said NGC Gallery Director, Marc Mayer. “Drawing represents a primary medium and it is always intimate, no matter what the scale, as it is the most direct expression of the artist’s hand,” he added.

The designation “Central Europe,” as used in the exhibition’s title, refers to the changing geographical region covered first by the Holy Roman Empire from the 16th century until its dissolution by Napoleon in 1806; then by the German Confederation of states established in 1815 by the Congress of Vienna; and finally by Germany, Switzerland and Austria after 1871, and by Czechoslovakia (now the Czech Republic and Slovakia) after 1918.

Despite the religious wars that broke out in the 1520s, the arts flourished. Royal patronage, the invention of the printing press, the emergence of the upper and middle classes, the creation of Germany in 1871, the Enlightenment, and the modern period form the framework of the five centuries explored in this exhibition.

Organized thematically, the prints and drawings in the exhibition comprise landscapes, portraits, figure studies, and genre scenes. As Mitchell B. Frank, Associate Professor of Art History at Carleton University explains in his introduction to the exhibition catalogue, ‘’some of the works are original creations, while others are copies. Supporting materials include different types of paper as well as vellum, and the media include ink, graphite, crayon, chalk, and watercolour. The functions the drawings served vary as well. Some are finished works, while others are studies and preparatory drawings. Even the latter can be subdivided into those made in preparation for prints, murals, oil paintings, and stained glass, and those that were either compositional sketches or figure studies.’’

Central European Drawings of the National Gallery of Canada is the fifth in a series of exhibitions showcasing the permanent collection of drawings held by the National Gallery. Earlier exhibitions presented Italian drawings, Dutch and Flemish drawings, French drawings and British drawings. Deputy Director and Chief Curator, Dr. David Franklin assisted with the selection of drawings for this exhibition and was instrumental in the recent acquisition of more than thirty works that are also included.

The National Gallery of Canada owns the largest collection of prints and drawings in the country which includes a particularly rich collection of Classical and Romantic landscape drawings.

Meet the curator
Thursday, July 15 at 6 pm. Join Erika Dolphin, Assistant Curator to the Chief Curator for a visit to the European Drawings of the National Gallery of Canada. Included with Gallery admission.

Lecture
Sunday 20 June at 2 pm. Central European Drawings from the National Gallery of Canada, by Mitchell B. Frank, author of the exhibition catalogue, and Associate Professor, Assistant Director, Art History, School for Studies in Art and Culture at Carleton University. In the Lecture Hall. Included with Gallery admission.

Catalogue
Mitchell B. Frank, associate professor of art history at Carleton University, and Erika Dolphin, assistant curator to the chief curator of the NGC, are the authors of the catalogue that accompanies the exhibition. Produced by the National Gallery of Canada and sponsored by Sotheby’s, this richly illustrated book is for sale at the NGC Bookstore and at shopNGC.ca for $49.

About the National Gallery of Canada
The National Gallery of Canada is home to the most important collections of historical and contemporary Canadian art in the world. In addition, it has pre-eminent collections of Indigenous art, Western and European art from the 14th to the 21st century, American and Asian art, and drawings and photography. Created in 1880, it is among the oldest of Canada’s national cultural institutions. As part of its mandate to make Canadian art accessible across the country, the NGC has one of the largest touring exhibition programs in the world. For more information, visit gallery.ca.


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For more information, please contact:

Josée-Britanie Mallet
Senior Media and Public Relations Officer
National Gallery of Canada
613-990-6835
bmallet@gallery.ca

Claire Schofield
Manager,
Communications and Public Relations
National Gallery of Canada
613-990-7081
cschofield@gallery.ca