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National Gallery of Canada

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Using Photography
 Using Photography
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Early Experiences with Photography
 Early Experiences with Photography
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The Young Feminist The Young Feminist
 The Young Feminist
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Studying Theatre and Photopraghy Studying Theatre and Photopraghy
 Studying Theatre and Photography
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Studying Feminism and Gender Relations
 Studying Feminism and Gender Relations
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Untitled Working at the Nova Scotia College of Art and Design
 Working at the Nova Scotia College of Art and Design
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Influences Influences
 Influences
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The Family in the Context of Childrearing The Family in the Context of Childrearing
 The Family in the Context of Childrearing
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Using Text Using Text
 Using Text
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Working Method Working Method
 Working Method
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Photographic Equipment Photographic Equipment
 Photographic Equipment
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Representing People Representing People
 Representing People
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The Viewing Experience The Viewing Experience
 The Viewing Experience
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Humour Humour
 Humour
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Undermining Assumptions Undermining Assumptions
 Undermining Assumptions
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Utopia and Harmony Utopia and Harmony
 Utopia and Harmony
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Feminist Artists and Art Today
 Feminist Artists and Art Today
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Current Interests Current Interests
 Current Interests
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Susan McEachern     
Susan McEachern was born in Wausau, Wisconsin in 1951. She holds a BA in Theatre from Hamline University, Minnesota, a diploma in Photography from the Banff Centre, and an MA in Sociology from the Ontario Institute for Studies in Education. McEachern has taught photography at the Nova Scotia College of Art and Design in Halifax since 1979.

In the feminist tradition, McEachern?s work uses the personal to comment on the social. Working mainly in colour, she combines photographs taken in and around her home, with images from different sources, including the mass media. These are accompanied by texts, in her own words, or drawn from fairytales, feminist treatises, medical journals, feminist utopia literature, and other sources. McEachern is interested in investigating why certain values and beliefs are dominant in our culture, and the impact these have on people?s, particularly women?s, lives. Her voice, though critical, is tinged with humour and irony, and is not without optimism. She believes that by exploring different ways of living in and making sense of the world, there is hope for positive change.

Susan McEachern?s work has been widely exhibited in North America and is represented in numerous public and private collections. She is currently at work on Stable Community, an inquiry into the equestrian world.